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Planners and community members can come together to reveal and burnish this narrative through: Awareness of community identity and character is strengthened by the consideration of all community interests in decision- making processes; the integration of arts and cultural resources with civic visioning programs; and the balancing of the inherent conflicting nature of past, present, and future social values.This brief explores how arts and culture strategies can be used to understand community context, celebrate community character, and ultimately create, reinforce, or enhance sense of place.Religious art should always be intelligible and realistic, and, above all, it should serve as an emotional stimulus to piety.The development of Bernini’s religious art was largely determined by his conscientious efforts to conform to those principles.In the early 1980s, Pei was the focus of controversy when he designed a glass-and-steel pyramid for the Musée du Louvre in Paris.He later returned to the world of the arts by designing the Morton H.Such a vision must reinforce and embrace the changing climate, culture, and character of a place.Preserving and enhancing the local identity, uniqueness, and arts and culture assets of a community require that local decision making, planning processes, policies, and regulations reflect and support community character.

He returned to China for the first time in 1975 to design a hotel at Fragrant Hills, and designed Bank of China Tower, Hong Kong, a skyscraper in Hong Kong for the Bank of China fifteen years later.

An unprecedented fusion of sculpture and architecture, the baldachin is the first truly of St.

Peter’s with colossal statues, though only one of the latter, St. He also made a series of portrait busts of Urban VIII, but the first bust to achieve the quality of his earlier portraits is that of his great patron, in 1629, when Bernini became architect of St. By this time he was not only executing works himself but also having to rely on assistance from others as the number of his commissions grew.

De Vos Art Lecture #13 - Perspectives on Art Prize: Poet, Painter, Sculptor and Beyond Wednesday, October 3, 2012 A lively discussion about Grand Rapids’ fourth annual Art Prize international art competition was planned as the 2012 De Vos Art Lecture.

A variety of views were presented during “Perspectives on Art Prize: Poet, Painter, Sculptor and More,” Wednesday, October 3, Loosemore Auditorium, De Vos Center, Pew Grand Rapids Campus.

A reception in the Hager-Lubbers Exhibition Hall adjacent to the auditorium immediately followed the discussion.

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